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MUSICIAN
HIGH
END SOUND is owned and operated by Paul Reed, a native New Yorker.
Offering a full range of production services, his work reflects the
benefits of 40 years of experience. As a percussionist, keyboard player
and composer he began his formal music education in California at UCLA
while in his teens. Returning to NYC in '68, he continued his schooling
at Juilliard, and The Manhattan School of Music while studying
privately with some of the most respected artists in the field. At 17,
Reed became a member of the prestigious National Orchestral Association
and made several appearances with them at Carnegie Hall. Convinced that
the most important lessons he then needed could only be learned on the
job, Paul jumped straight into the freelance music arena when he was
18. He spent the next few years playing in the orchestra pits of some
of Broadway's most successful musicals and was a featured on-stage
soloist in Bob Fosse's DANCIN'. In 1970, figuring that "you only live
once... maybe", he seized the chance to see the world. For several
years, he appeared throughout the US with the Monkees of '60s TV fame.
When he wasn't on the road, Paul appeared at local jazz venues with
respected artists including Gerry Mulligan and Peggy Lee. He also
played with many rock bands including CBS recording artists The
Laughing Dogs, The Leisure Units, Bulldog, and Japanese recording stars
Earthling. In 1990, he returned to his orchestral percussion roots and
presented a solo recital at Merkin Hall, in which he performed
compositions by Frank Zappa, Max Lifshitz, and fronted his own ensemble
"The Electric Chamber" in an arrangement of excerpts from Stravinski's
Rite of Spring with original choreography by Mariko Tanabe of the Eric
Hawkins Company. Today he plays in a jazz/surf fusion trio to keep his
chops up.
He also spent many years working as a session drummer
playing for recording artists and on many well known TV and radio
jingles. While doing these recording gigs, he became familiar with the
workings of sound studios.
COMPOSER
As
a composer, he had his first published work at the age of 15. In the
'90s he was commissioned by several NYC choreographers such as Mimi
Garrard, Rell Dean, Jean Erdman and Mariko Tanabe to write and perform
music for live performances. He is still active as a songwriter and
composer/arranger.
ENGINEER
In
'85 Reed attended classes in audio engineering at the Center for the
Media Arts. After learning his way around, he opened and operated his
first studio, Laila Sound on Manhattan's east side. Next he moved
downtown and became manager and chief engineer of Pink Crayon, a
digital 24 track studio located in the WestBeth Arts complex. Paul has
been involved in recording studios in a variety of capacities ever
since.
PRODUCER
Living
within the recording element, he became increasingly involved in record
production. Tapping the experience of his wide ranging musical career
over the last 4 decades, Paul Reed has created HIGH END SOUND, a
valuable resource where others can now benefit from all he has to offer
as a musician, composer, engineer and producer.
TESTIMONIAL
In late May of 2010
with several nasty deadlines converging at once I found myself in a
creative and professional bind. I was composing, performing, teaching
and writing completely disparate material and in need of recording yet
more - non related music to accompany a multi-media presentation
project in the Arab Emirates...
On the suggestion of a good friend and musical colleague I rang Paul
Reed to see if he might be able to accommodate me with a recording
session of music....yet to be conceived. As I drove over to his studios
in Chatham, NY I began playing over in my head what I thought might
work realizing that I was going to need a miracle to accomplish what I
needed to accomplish....
I got my miracle in the form of the sharp-minded, congenial and
musically gifted Paul Reed in whose High End Sound Studios, situated
just outside of downtown Chatham I spent the following 4 hours
drumming-up ideas and hearing their realization to my astonishment and
great satisfaction. I have no doubt that I owe much of the success to
Paul's hands-off, brains-on approach as producer and sound
engineer. The man possesses an uncanny ability to make you feel
completely at ease and fully confident in the task before you - as I,
myself, was made to feel upon entering the studio.
Paul Reed offers Columbia County and its musicians an exceptional
opportunity for studio work. I recommend High End Studios to all!
Timothy Dunne, Composer
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